Time Out New York: Aasif Mandvi

I was asked to do this week's "Hot Seat" portrait for Time Out New York, the subject this time being actor/comedian Aasif Mandvi!

Like most people, I'm familiar with Mr. Mandvi as a correspondent on The Daily Show, but he's also an actor, having appeared in a number of films and has several more to come.

Since starting the Hot Seats back in 2006, I've had the chance to do portraits of Stephen Colbert, Steve Carrel, Ed Helms, Rob Riggle, and Olivia Munn. I can only hope TONY taps me if/when they interview Jon Stewart, Lewis Black, Samantha Bee, Jason Jones, or Larry Wilmore!

Chiller TV Spots

Some of my Monster PSA posters were chosen to appear as set decoration in two TV spots for the Chiller TV network.

And while those spots aren't yet finished, here are some stills from the ads--as you can see, there are my posters on the wall of Chiller TV's lunchroom, and they make a super-quick appearance in postcard form on the wall of a Chiller TV employee's cubicle.

I had the chance to go to NYC and watch the commercials be filmed, which was a cool, informative experience. I was thrilled Chiller TV liked my posters enough to want to use them like this, and I can't wait to see the finished spots!

The Invisible Man @ The Chiller Theatre

I'm giving the From The Vault segment the week off to post this pic that was sent to me by my pal Rob Tullo.

This was a homemade Invisible Man model kit, entered in a Halloween contest at the Chiller Theatre last month. And as you can see, the modeler went ahead and used my Invisible Man poster as a piece of decoration. Pretty nifty, and quite a compliment in its own way.

Rob is great at finding stuff like this--usually its an example of me getting ripped off, but this time its a-ok. Thanks Rob!

11 Acorn Lane, Pt. 2

Back in December 2009, I did this CD cover art for 11 Acorn Lane's Everybody's Here album, which was a lot of fun.

The band wrote me the other day to let me know that they're still getting use out of my portrait, first on their Amazon page, slightly amended for the season:

...as well as in the animated video for their cover of the holiday classic "Deck The Halls":

...ginchy! Thanks, guys!!

Monster PSA: Lee Van Cleef

I haven't done a Monster PSA posters in ages, and this one really makes a shambles of that designation--not only did Lee Van Cleef never play a monster of any sort, he never even appeared in anything like a horror movie (even form-busting subjects like Margot Kidder was in at least one genuine horror film).

But when I was working on the portrait of Mr. Van Cleef for my "Tough Guy" series, I realized it'd be cool to draw him doing what he's most associated with--brandishing a gun. So I figured what the hell, a sentiment I think he'd get behind.

This was one of those instances where I let the image decide what the tag line would be, a sound piece of advice in any situation, I think.

From The Vault: "White Dress" - 2006

Another piece done as pure experiment, to see if I could achieve some sort painterly effect via Photoshop. This piece doesn't really do that, and I've seen gone on to create that look via the program. So this one was just a tiny stop on that road.

Robert Mitchum

Probably the most quintessential Movie Tough Guy, Robert Mitchum!

I had lots of pics of Mr. Mitchum to perm through, but I loved this one, with his hair a tousled mess and looking like he didn't give a damn.

Vote!

Pretty self-explanatory...go out and vote.

The Misadventures of Halloween Harriet

Sure, this cover is a day out of date, but bear with me.

I had an idea for a Halloween-centric faux-vintage paperback book cover sometime early in the year. Always having other ideas to work on, I put the raw materials I had on hand in a folder and told myself I'd work on it later in the year, closer to Halloween.

Of course, just a few days ago it dawned on me I hadn't worked on this thing at all, with Halloween just a few days away. So I could either work on it immediately and post it on 11/1, or wait until next year, when I'm sure the same thing would happen all over again. So, here it is.

This one is a complete fabrication on my part--I knew there wouldn't be any Halloween-ish paperback books I could borrow a title from, so I just made it all up myself. Pivoting off of the central image, I came up with a cheeky, nudie-type paperback, rather than a mystery/thriller.

The whole thing came together rather quickly, the last element added being the little white "bubbles" in the background, which to me felt reminiscent of the kind of thing you see emanating from glasses of champagne, something Halloween Harriet surely down a lot of in this story.

From The Vault: "Picasso Woman" - 2004

I did a couple pieces like this around 2004, mostly just to mess around and see if I could get a looser, more painterly look with digital-only tools.

I jokingly called these my "Picasso Pieces" because they seemed sorta silly and quasi-pretentious to me afterward. But by now I've sorted worked my way back around and I think this one at least looks kinda cool--nothing I'm dying to get back to, but a worthwhile exercise nonetheless.

Time Out New York: Kristen Stewart

I was asked to do this week's "Hot Seat" portrait for Time Out New York, the subject this time being actress Kristen Stewart!

All the Hot Seats I've done lately have been in black and white, so I was more keen than usual to change that up and do this one in color. And since I didn't want to make too much of an explicit Twilight connection, using mostly soft colors and gentle fades for the portrait seemed the way to go.

I Made My Bed

I hadn't done a faux-vintage paperback book cover in a while, so I managed to squeeze this one in between some client work and working on my Hey Kids, Comics! book.

I knew I didn't have a lot of time, so I wanted some real simple, only a couple of colors and one central image. My first thought was to do the book's title by hand, but no matter how I tried it never quite worked. So I went with this cartoony font, and by playing around with the baseline of the letters, I could have it semi-trace the contours of the figure, which gave it that feeling of looseness that I was looking for in the first place.

The last thing I added was the white frame all around, which made everything feel jumbled and slightly claustrophobic--I didn't intend that in the beginning but once I saw it I really liked it.

(By the way, like most of the other covers in this series, the title, tag line, and author are real!)

Robert Shaw

As per a request made on my illustration Facebook page , this week's "Tough Guy" portrait is Robert Shaw, who had a lifetime full of great performances, but of course is known mostly as Quint from Jaws, one of the most unforgettable movie characters of all time.

I considered doing the portrait of Shaw as Quint, but decided I wanted a slightly more universal representation of the man. You still have that one wide eye on display here, hinting at the flinty madness Shaw had on display in so many of his greatest roles.

From the Vault: "Brew" Portraits - 2004

I have no memory of what client I did these for; it was some magazine but other than that these are a complete blank. I put "Brew" in quotes because that's the name both of them have in my files; but that doesn't help me recall the end client.

I post them here because I think they look pretty good; giving what can be boring headshots a little visual kick is what I'm hired for and I think I pulled that off pretty well this time around!

Richard Widmark

This one was not a request made on my illustration Facebook page, but Richard Widmark certainly qualifies as a movie Tough Guy, if for no other role than when he played giggling killer Tommy Udo in 1947's Kiss of Death, where he famously pushes a wheelchair-bound old lady down a flight of stairs.

I thought about doing a portrait of Widmark as Udo for this piece, but decided to go a little gentler, since Widmark also played lots of good guy roles (one of my favorites is 1950's Panic in the Streets) as well. They really don't make movie stars like this anymore...

Yul Brynner

As per a request made on my illustration Facebook page , this week's "Tough Guy" portrait is Yul Brynner who managed a career in movies as diverse as The King and I, The Magnificent Seven, and Westworld.

Aside from his movie roles, the thing I remembered the most about Brynner growing up was that creepy anti-smoking PSA he did that ran after he died; featuring Brynner basically copping to the fact that his smoking was killing him, and that the message he was recording would have its greatest impact after he had died.

It was really unsettling to me as a kid--especially when they ran it during cartoons and shows aimed at kids. And while I can't say it was a major reason I never picked up the habit (I was much too docile a kid to ever really consider it), Yul's visage probably nestled itself somewhere in the back of my kid-sized brain, always reminding he how nasty cigarettes were.


This piece is a bit of a "cheat"--I had done a portrait of Brynner for a Time Out New York "Hot Seat" assignment (long story), so I had the basic art for this already done when he was requested as the next subject in the "Tough Guy" series. All I had to do was crop it a bit, change the colors, and add some details and it was done.

Since it was so easy and quick doing this one, I had time to do another Tough Guy, which will be seen here tomorrow!

Time Out New York: Johnny Knoxville

I was asked to do this week's "Hot Seat" portrait for Time Out New York, the subject this time being actor/comedian/professional jackass Johnny Knoxville!

I had all sorts of ideas for this one, including a portrait of JK hanging upside down, Houdini-style. But I had a bunch of other assignments on my plate that week, and if that idea was deemed a little too out there, I really wouldn't have time to re-do it, so I went this, which I thought was a little more straightforward.

That said, I still managed to work in a little of that Jackass-danger and violence into the piece. I thought why not combine the hoary old arrow-through-the-head bit, but make it an actual arrow fired into Knoxville's skull? Once that I had that in place, the rest--the colors, the design--was easy.

Eli Wallach

As per a request made on my illustration Facebook page , this week's "Tough Guy" portrait is Eli Wallach!

I've never really thought of Mr. Wallach (who, at 94, is still with us, thankfully) as a movie tough guy, even in his most famous performance in The Good, The Bad, and The Ugly, which this portrait is from.

He is, without a doubt, a Really Sweaty and Dirty Guy in that movie and, sometimes, that's enough.

Sandra Lee Halloween 2010

Boo!

A couple of months ago, I was contacted by the people who put together Sandra Lee magazine, asking me if they could use my Universal Monster posters for a special segment that would feature them as decoration at a Halloween-themed dinner party.

I of course said yes, and a week or so ago the issue--a special one-shot simply called Sandra Lee Halloween--hit the newsstands, and I was really blown away by how great everything looked, and how integrated my posters were with the surroundings:

Using eight of my posters in all, the article featured each piece on two pages; one with the poster in its setting, the other with a description of the elements used for the food and the settings. They even used my original logo treatments from the posters to adorn the whole piece!

All told, the article ran eighteen pages, certainly the most amount of space my work has occupied in a magazine!



(Reprinted with permission from Hoffman Media and Sandra Lee Semi-Homemade Magazine. Semihomemademag.com)

San Diego Zoo - 2003

I did this piece--using a bunch of animal portraits I had recently finished--purely as a graphic design exercise. Its really simple, but I loved how it came out.

Charles Schwab On Investing: Fall 2010

While I'm hard at work on another assignment for Charles Schwab On Investing magazine, here's the last piece I did for them; this will probably the only time I will ever have to draw a beret, for any reason.

Warren Oates

As per a request made on my illustration Facebook page , this week's "Tough Guy" portrait is Warren Oates. Even if you're not familiar with his work, one look at this face should tell you he was a tough guy.

My favorite--okay, only--Warren Oates story was something I heard Wayne Rogers tell a few years ago. Apparently he and Oates were in some sort of western together, and they were both in costume, off-camera, waiting for their cue. Dressed as cowboys, Oates whispered to Rogers something to the effect of "Aren't we a little old to still be dressing up like cowboys?"

From The Vault: Travels With Charley - 2002

John Steinbeck's Travels With Charley--a (mostly) non-fiction account of the legendary author's trek across America with his beloved canine pal, Charley--is one of my all-time favorite books. I had never read before finding it at the library in 2002, and I was completely charmed by it.

So charmed that I did this little tribute piece--its a little rough in some places, so I probably wasn't all that concerned with it being some masterpiece, just a fun way for me to extend the pleasurable experience reading the book gave me.

Mookie

This is Mookie, a sweet pup whose mommy, named Christine, was the winning bidder in the Animal Care for Artists auction they held a couple of months ago to raise money for the organization.

I had volunteered a free pet portrait as one of the prizes, and a week or so after Christine won my prize I was staring at a picture of Mookie. Christine specifically asked me to use the pattern you see here for the background; it matches the carpet in the room that this portrait will hang in.

Working on this was pure fun, and I'm glad I could help in some small way to raise money for the ACA, a truly worthy cause.

Charlton Heston

Several suggestions were made over on my illustration Facebook page as to which movie tough guy I should tackle next, but since I've been watching all the Planet of the Apes movies recently, movie legend Charlton Heston was on my mind.

Sure, Heston wasn't a classic movie tough guy (at least in the same vein as my previous subjects like Lee Marvin, Charles Bronson, etc.), but when I was deciding who to do this week I remembered a passage from a biography of J. Edgar Hoover I read a few years ago.

Apparently Heston--who was a big, vocal proponent of civil rights--was scheduled to appear at some sort of rally in Washington for such a cause in the early 1960s. He got a personal phone call from Hoover, who strongly suggested Heston not attend.

According to the story, Heston told Hoover in no uncertain terms to go screw himself, he was going, and he did. If that isn't a "tough guy" I don't know what is.

From The Vault: Bikini - 2004

I have no idea what this was supposed to be, but looking at other pieces from around this time shows I was seeing how things looked when stripped of almost all detail, leaving just colored shapes.

There are some elements of this I like, but the colors--the orange specifically--is too muted and dull to make much of an impact. Just a doodle, really; quickly finished so I could move on to the next piece...

Time Out New York: Susan Sarandon

I was asked to do this week's "Hot Seat" portrait for Time Out New York, the subject this time being legendary actress Susan Sarandon!

For whatever reason, I had a real Andy Warhol-ish concept in mind for this one, with a rougher look than I usually go with for female portraits. But if anyone would work being portrayed like that, it would be the no-nonsense, tough-as-nails Sarandon.

I fiddled around with this for a while, trying to hit the sweet spot between too rough and too smooth. I originally had the dark grey tone much lighter, but when I darkened it to what you see here it gave the piece a harder edge, one that I liked a lot. Plus, it looks a little different than the stuff I normally do, which was a bonus. I also had extra detail in the hair, but finally settled on a flat red shape, which I thought contrasted nicely with the bright yellow background.

I think Ms. Sarandon is a great actress, and many times has been outspoken when I'm sure it would have been easier on her to keep quiet. I have no idea if she'll ever see this piece, but if she does I hope she likes it.

Princess In Exile

My pal, writer Chris Wichtendahl, asked me to do the cover to his newest book, Princess in Exile, a long while ago.

I'm ashamed to admit, it took me forever to work on it, because as I read the book and was flooded with all the fantastic sci-fi concepts contained therein (Chris is a fountain of ideas, as one look at his website will attest), I simply couldn't compose one image that I felt represented the story.

When I finally did sit down to sketch it out, I really got in my own way and designed this hugely ambitious cover, comprised of almost half a dozen vignettes, representing moments from the book. I wasn't all that pleased with it--aside from the terror of how I'd actually pull the thing off to completion--but because I had taken so long to show Chris something I sent it off to him anyway.

His reaction was polite but mixed--I could tell that it wasn't really what he wanted, and a few weeks passed before we discussed it in detail. Then, out of the blue, this other cover idea--pretty much exactly what you see here--popped into my head, almost entirely fully formed.

Not only would it easier to complete, but it was a lot closer to the old school style 70s/80s paperback look that Chris told me he wanted in the first place--mostly text with one small element from the book (in this case, a wooden sword the main character wields). I sent this version off to him, and just minutes later he told this was it!

He made a couple of small suggestions which I implemented, and all of a sudden a project that had become a tedious slog did a u-turn. Now we were both happy--Chris got the cover he wanted, and I was able to deliver on the promise I had made.

Lawrence Tierney

Several suggestions were made over on my illustration Facebook page as to which movie tough guy I should tackle next. I liked all of them, but Lawrence Tierney interested me the most.

Tierney is probably most famous for his role in Reservoir Dogs, where he looked like a mountain of mean. But he had a long career in Hollywood--playing mostly tough guys, of course--decades before that, which was when I chose to illustrate him.

From The Vault: Lex Luthor - 2004

I was digging through my vault looking for a good piece for this week, and I happened across this portrait I did of Lex Luthor. Not only do I think it turned out pretty well, but Luthor was played by yesterday's subject, Jon Hamm, in a very funny video for Funny or Die. Perfect!

Most of the time when I've tried to mesh my style with a superhero portrait, it doesn't work that well, but of course for regular guy (he'd hate me calling him that) Lex Luthor, no weird costumes are required--just some monolith-y buildings with LexCorp's blood-red stamp on the front.

Jon Hamm

I haven't done one of my Hot Seat-styled portraits in a while because...well, I've generally been busy doing the actual ones. But I had some time this week, and thought Jon Hamm would be as a good a subject as any. Not only do I see him every week on Mad Men, but he's also in a new movie, The Town, opening this week.

Hamm has an old-school charm and classic leading man looks that makes him seem like a Hollywood star from the 50s or 60s dropped into the 21st Century. So I didn't get too fancy for the portrait--pretty much a straightforward shot with some cool, classy colors.

He'll Be Dead By Morning

One of my more crazy faux-vintage paperback book covers, this one started life with just the portrait of the gun-totin' babe and it somehow found its way to this Mondrian-inspired crazy quilt design.

When searching for an actual book title, I knew I wanted to keep the idea that the woman is the protagonist, maybe even an assassin (which was not typically a plot you'd find in a 40s or 50s paperback). I found a book called She'll Be Dead By Morning, and I was content to remove the "S" to make it a little more appropriate to what I had already conceived. The author and tagline remained the same.

Charles Bronson

I had a couple of suggestions for the next subject in my informal "tough guy" series, but at some point it occurred to me Charles Bronson fit that theme perfectly, and I had never really done a suitable portrait of the legendary actor.

I chose to represent him during glory days--the early 1970s, when he was about as a big a star as he ever was. Considering what most movie stars look like nowadays, its kind of amazing a guy who looked like this was considered a leading man.

While I was doing this, all I had for his hair was a flat black shape, and that didn't quite work for me--it looked too neat and tidy. So I went in and added a bajillion little strands of wild greyish hair, really letting my hand go all over the place, the better to capture that wild mop of hair that sat atop Bronson's head.

I've been trying to use the same elements for all these tough guy portraits--namely, the same set of colors for the skin, a light blue tone for the shirt, and that rough pattern I would place on top of it.

I at first thought the light blue shirt here didn't look sufficiently tough guy enough, and considered changing it. But then it dawned on me that if Charles Bronson is wearing a light blue shirt, that makes it a tough guy shirt.

From The Vault: Negative of a Nude - 2006

One of my faux-vintage paperback book covers that was on my regular site's paperback page for a while.

But in the regular pruning of the site's content that I do, I dropped it in favor of newer compositions, though I think this one still holds up pretty well. I think I'd use a different font for the author and tagline, but I love that checkerboard background!

Time Out New York: Ed Westwick

I was asked to do this week's "Hot Seat" portrait for Time Out New York, the subject this time being actor Ed Westwick, who is a cast member on Gossip Girl.

Not being familiar with Mr. Westwick, I searched around the internet for pics and info on him. I noticed that while he was squeaky clean in his PR shots, he looked much scruffier in more informal pics, so I thought it'd be more interesting to go that route for the portrait.

I knew I wanted to keep it monochromatic, and I think this came out as one of the best Hot Seats I've done in a while. I like the rough gray tones, the messy background, and the squiggly lines for his jewelry. I've already put this one on the "best of Hot Seat" list I have in my head.

Zorro

This was me just goofing around. I'm in the middle of a big magazine job, and while taking a break from it I worked this up just for the hell of it.

Zorro is such a natural subject for my style that I keep trying out portraits of him. The first one I did was just okay, but too stiff and formal. This one started out as a portrait but evolved into this design-y button type thing, and I kinda like it.

Lee Van Cleef

Another portrait in my informal "tough guy" series, this was another suggestion that came from my illustration Facebook page. After posting the Lee Marvin piece, someone suggested Lee Van Cleef.

Cleef, like Marvin before him, was someone I'd never done a portrait of before, so that seemed like fun. This one's a little less ragged than the previous two tough guys, so I'm a little less satisfied with it. Weird, I didn't see that the time, but just a few days later, its jumps right out at me.

Well, now that I've done two Lees in a row, who's next? Lee Majors?

From The Vault: Drug Raid - 2007

I did this piece for a medical magazine, part of a series of illustrations for a long article about a South American country. One of the aspects covered was the massive drug trade, the evidence of which can be seen here.

For reasons I can't remember, I don't think this ever saw print, which is kinda too bad--its different than the kind of stuff I normally do, and I thought it came out okay.

Plus, it took forever to draw all those packages!

Namtab on the Web: Horror Squad

John Gholson--of the swell horror movie site Horror Squad--wrote a very nice piece about my Monster PSA posters, which you can see above.

Thanks to John, and thanks to my pal Joe Mello for finding the piece in the first place and altering me to it!